The Pointless Century

S3E2 - Delany's Nova

Frank forces everyone to read a favorite SF novel of his. Leah joins for her first guest appearance.

1 year ago

Episode Notes

S3 E2: Nova (1968) by Samuel R. “Chip” Delany

Frank forces everyone to read a favorite SF novel of his. Leah joins for her first guest appearance.

Correction/clarification: Delany is meticulous about in noting when his novels were written at the end of each manuscript, but Frank is not quite as careful in his discussion of them. Nova was written between 1966-67; Hogg was written between 1969-73, overlapping with Dhalgren; Trouble on Triton was written between 1973-74.

Works Cited:

Delany, Samuel R. Nova. Random House, 1968.

Delany, Samuel R. Hogg. FC2, 1995. Delany, Samuel R. Times Square Red, Times Square Blue. NYU, 1999. Heinlein, Robert. Starship Troopers. Putnam, 1959. Vonnegut, Kurt. Player Piano. Random House, 1952. Vonnegut, Kurt. Slaughterhouse-Five. Random House, 1969.

The Pointless Crew: Frank Fucile (he/him/his) – Lit & Theory, Film & Media, Genre, Enviro & Tech Studies // Rachel Hamele (she/her/hers) – History, Humanities, Queer Studies, Fandoms // Anna Wendorff (she/her/hers) – Communications, Rhetorics of Sci & Tech, Feminism // Leah Woodward (she/her/hers) – Science Fiction, Ecocriticism // Madalyn McCabe (she/her/hers) – Sound Editing, US Civil Rights Hist, European Studies

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MUSIC: Bad Brains – “F.V.K.” (ROIR, 1982) Hot Snakes – “10th Planet” (Swami, 2000)

ART: Paul Nash, We Are Making a New World. Oil on canvas, 1918. Imperial War Museum.

S. Brunier, The Pleiades (European Southern Observatory, 3 Dec. 2009)

Find out more at https://the-pointless-century.pinecast.co

The Pointless Century is a podcast of informal discussions about literature and film seeking to understand 20th century history and illuminate 21st century politics. Professor Frank Fucile and research assistants Anna Wendorff and Rachel Hamele work their way through comparative studies of canonical works, examples from pop culture, and some cult classics while reflecting on subjects like technology, art, class, race, gender, sexuality, the environment, (as always) war, and (inevitably) fascism.