S2E3 - The Monstrous 20s (pt. 1)
Rachel complains about pacing; Anna rants about the wrong movie; Frank compares Rambo to Charlie Kelly; and Madalyn does an excellent job of editing together a long and rambling set of conversations.
S2 E3: The Monstrous 20s (pt. 1)
The Penalty. Dir. Wallace Worsley. Writ. Gouverneur Morris. Perf. Lon Chaney. Goldwyn, 1920.
Nosferatu. Dir. F.W. Murnau. Perf. Max Schreck, Gustave von Wagenheim, Greta Schröder. JABJ, 1922.
Waxworks. Dir. Paul Leni & Leo Birinsky. Writ. Henrik Galeen. Perf. Emil Jannings, Conrad Veidt, Werner Krauss, William Dieterle. Neptune, 1924.
In the first installment of a two-part series, Rachel complains about pacing; Anna rants about the wrong movie; Frank compares Rambo to Charlie Kelly; and Madalyn does an excellent job of editing together a long and rambling set of conversations about power-mad tyrants, disfigured geniuses, subhuman predators, empty husks of human flesh, the invention of genre cinema, (as always) the First World War, & (inevitably) fascism. // T-shirts are now available: http://tee.pub/lic/1yd0lBadbP4
// Watch us on Instagram: @thePointlessCentury // Troll us on Twitter: @PointlessCent
The Pointless Crew: Frank Fucile (he/him/his) – Lit & Theory, Film & Media, Genre, Enviro & Tech Studies // Anna Wendorff (she/her/hers) – Communications, Rhetorics of Sci & Tech, Feminism // Rachel Hamele (she/her/hers) – History, Humanities, Queer Studies, Fandoms // Madalyn McCabe (she/her/hers) – Sound Editing, French, European Studies
Elsaesser, Thomas. Weimar Cinema and After: Germany’s Historical Imaginary. Routledge, 2000.
Fussell, Paul. Class: A Guide through the American Status System. Simon & Schuster, 1983.
Horkheimer, Max & Theodor Adorno. The Dialectic of Enlightenment, ed. Gunzelin Schmid Noerr, trans. Edmund Jephcott. Stanford, 2002.
Kracauer, Siegfried. From Caligari to Hitler: A Psychological History of the German Film. Princeton, 1947.
Poole, W. Scott. Wasteland: The Great War and the Origins of Modern Horror. Counterpoint, 2019.
MUSIC: The Melvins – “Vile” from Ozma (Boner, 1989)
Fantômas – “Der Golem” (written by Karl Ernst Sasse) from The Director’s Cut (Ipecac, 2001)
ART: Paul Nash, We Are Making a New World. Oil on canvas, 1918. Imperial War Museum.
Albin Grau, promotional poster for Nosferatu, 1922.
Find out more at https://the-pointless-century.pinecast.co